Farshad Asgarikia
University Assistant Professor, Researcher, Photographer, Filmmaker
Official WebsiteSame moment, Same place, Without …
By Arian Sarlak
M.A Thesis Supervisor
M.A Thesis Advisor
M.A Thesis Supervisor
- Reza Ashourifar – Play “The Happiness of Translating to the Narrative of the Period” – 2010
- Hossein Heidari – Screenplay of “Glass Iris” – 2012
- Maryam Sadat Ghazi – “Using Literary Components of Iranian Humor in Advertising Animation” – 2013
- Mojdeh Ghazanfari – “Study of the effect of neorealism in the fictional cinema of the recent triad in Iran with emphasis on the works of Abbas Kiarostami, Rakhshan Bani-Etemad, Kianoosh Ayari and Asghar Farhadi” – 2014
- Saeed Habibi – “Study of Cinema Representation in Cinema with a Poststructuralist Approach in Iranian Fiction Cinema” – 2015
- Mehdi Mushfegh – “Aesthetic Transformation in the New Documentary Cinema of the 1980s in Iran” – 2015
- Fatemeh Zahraei – “A Study of the Expressive and Structural Features of Abbas Kiarostami’s Cinema from the Perspective of Author Andrew Saris” – 2015
- Saman Valinejad – “Schizophrenia of Cinema (How to Read Movies in Deleuze)”- 2015
- Seyed Siavash Ebrahimi – “Study of Iranian street cinema as a subspecies of drama” – 2015
- Samaneh Fatemi – “The Intertextual Impact of Social Photography on Contemporary Iranian Painting” – 2016
- Sanaz Khorsandi Karimi- “Character typology in the top films of Fajr Film Festival from the beginning to 2015” – 2016
- Azam Nourpour – “The intertextual presence of photography in contemporary Iranian painting” – 2016
- Reza Tajmir Riahi – “The Analysis of Revolution in Progression of Tragedy Death and the Birth of the Cinematic Apparatus” – 2016
- Mohsen Akbari – “The evolution of how to represent marital relations in Iranian cinema after the Islamic Revolution” – 2016
- Ronak Ranji – “Aesthetics of Experimental Cinema and Study of its Components in Iranian Cinema from 2000s to the Present” – 2016
- Elham Bateni – “Structural Comparative Study of Experimental Cinema and Vide Art based on Neo-formalism Approach in Iran 2011-2016” – 2016
- Hadi Laziri – “Study of the Impact of Post-Structuralism Approach on the Methods of Presentation and Displaying Photographs” – 2016
- Amin Dorostkar – “Semiotic analysis of the concept of reality cinema by studying the words of MohammadReza Aslani” – 2016
- Hanieh Nazemi – “The influence of Abrahamic religions on the post-apocalyptic cinema with the study of 10 selected films” – 2017
- Hosein Tavazoni Zadeh – “Transformation of language and cinematic image in the path of creating unconventional productions of Iranian theater (focusing on the works of a number of contemporary directors)” – 2017
- Ali Mahdipour – “Study of Cinematic Elements in Best Movies of Iran based on Fajr Film Festival between 2011-2015 Period” – 2017
- Hosein Abdollahi – “Components of Modern and Postmodern Narrative in Cinematic Films of Iranian Art and Cinema Experience (2014 production)” – 2017
- Parviz Amini – “A study on the reflection of social status and social class of Iranian New Wave filmmakers on their cinematic works” – 2017
- Saeed Massahi – “Influences of Music Video Aesthetics on Cinema, in Reference to Academy Award Nominates of 1980’s and 1990’s” – 2017
- Mojtaba Mirshekari – “Structure of a fantasy genre in Iranian cinema” – 2017
- Abbas Malek Mohammadi – “How the working class is represented in post-revolutionary Iranian cinema” – 2017
- Zahra Naderi Darshoori – “The intertextuality analysis in portraitures and graphic effects of Iran’s first-generation graphic designers” – 2017
- Reza Davarpanah – “Analyze to Concept of Reality of The Picture In Documentary Whit Emphasis On Mocumentary Style, According Jean Baudrillard & Marshall McLuhan Theories” – 2018
- Hamoon Shirazi – “Stylistic Features of Mohammad Reza Aslani’s Films” – 2018
- Saeede Zare Saryazdi – “The Role of Audience to Understand the Bahram Tavakoli’s Works, From the Aspect of Gadamer’s Hermeneutics (case study movies: Pa Berahne Dar Behesht, Parse Dar Meh, Inja Bedone Man, Asmane Zarde kam Omgh, Bigane, Man Diyego Maradona Hastam” – 2018
- Fateme Sadat Ghotb – “Poetic rhetorical elements in Ali Hatami’s fictional cinema” – 2018
- Amir Hosein Kotobzadeh – “Hermeneutic reading of the process of receiving a film based on light based on Gadamer’s views (a case study of the works filmed by Roger Dickens)” – 2018
- Nima Kohandani – “Feasibility Study on Marvels of Things Created and Miraculous Aspects of Things Existing (Ajā’ib al-makhlūqāt wa-gharā’ib al-mawjūdāt) for Adaption to Produce Persian Fantasy Films” – 2019
- Navid Shayesteh – “Analyzing Ali Fereiduni’s photos of the Iran-Iraq war based on the social semiotic pattern of Gunther Kress and Theo Van Leeuwen” – 2019
- MohammadTaha KazemNasab – “A Review of Acting Method in Asghar Farhadi’s Films based on Stanislavski’s System” – 2019
- Abolfazl JahanMahin – “studying Static and still in Illustration on Roy Andersson`s films” – 2019
- Sahar Zaeri Amirani – “Representation of the Afghan people in Iranian cinema based on Stuart Hall’s statement” – 2019
- Kazhvan Abehesht – “Feasibility Study for Cinematic Adaptation of Classic Persian Texts to Make Children’s Film Based on Noel Brown’s Research (Case Study: Qabusnama)” – 2019
- Farnaz Hadi Beyk – “Compositional interpretation of pre- and post-war photographs of Ahmad Alizadeh Nohi from Khuzestan based on Jillian Rose’s theory” – 2019
- Faryal Taghipour Samimi – “Analysis of Horror Genre in Iranian Cinema Based on Rick Altman’s Semantic-Syntactic Approach” – 2019
- Majid Bagherzadeh – “The phenomenology of Terence Malik cinema based on Merleau-Ponty’s views” – 2019
- Ferdows Khosravi Nezhad – “A study of the culture of the Lor people in the cinema of Nasser Gholamrezaei Claude Levi Strauss” – 2020
- Roshanak Azari – “Explanation of the archetype of the myth of the journey of the hero Christopher Vogler in the works of Abbas Kiarostami” – 2020
- Morteza Farhadnia – “Explaining and analyzing acting styles in front of a lens with a focal length of 85 (Case Study: Robert De Niro)” – 2020
- Maede Slami – “An Analysis of Sassan Moayedi’s Visual Narrative of Tehran’ Bombings during the Imposed Iraq-Iran War with Theo Van Leeuwen ‘s social semiotics approach” – 2020
- Amin Roghani – “A Survey on Abbas Kiarostami’s encounterment with reality through mediation Adorno’s aesthetic theory” – 2020
- Mahmood Eydi – “Content analysis of Bahram Mohammadifard’s photos from eight years of holy defense” – 2020
- Ghazal Nafar – “Analysis of cultural codes of ten best-selling films of art and experience from the beginning to the year 2020 based on the model of John Fisk” – 2020
- Faramarz Ramezanian – “An analysis of the relationship between action and point of view (P.O.V) in cinema” – 2021
- Maziar Khalighi – “An Analysis of Ernest Holzer’s Photographs from the Orientalist Perspective of Edward Said and a Critique of Terry Burt” – 2021
- Mohaddese Sadat Mousavi – “A study of the representation of religious minorities in Iranian cinema after the Islamic Revolution based on the views of Stuart Hall” – 2021
- Mohammad hosein Shamsi – “Investigating the components of magical realism in cinema based on the views of Alejandro Charpentier” – 2021
- Maziar Asgari – “A Study of the Grotesque Elements in the Emir Kusturica’s Cinema” – 2022
- Nafise Shavandi – “——————-“– 2022
– Hojatollah Nazari – “Discourse, Identity, Clergy: An Analysis of the Discoursive Semiology of the Clergy in Iranian Cinema of the 1990s and 2000s” – 2022
M.A Thesis Advisor
- Fatemeh Farzadeghi – “Study of graphic elements in the posters of the last three years of Iranian cinema” – 2012
- Reza Jalali – “Symbolism of tombstones of Chaldoran war martyrs” – 2013
- Behnaz Karimi Zare – “Analytical study of the motifs of marble beds with an iconographic approach” – 2013
- Samaneh Yasaee – “Theoretical concepts and structural features of interactive animation (in relation to the audience-spectator)” – 2013
- Nader Dehghan – “Norms in the religious community and the promotion of norm-breaking goods in the media” – 2013
- Somayye AtaeeNia – “Investigating the Impact of Minimalism on Commercial Advertising in the United States in the Last Decade (2001-2011)” – 2013
- Shadi Ahmadi – “Classification of designs and form of handles “in” houses of Tehran Qajar period” – 2014
- Faria Mokhaberi – “Intermediate accompaniment of metal and fabric composite works in contemporary Iranian handicrafts based on intertextual theory” – 2013
- Rouh Angiz Shams -“Study of the capacities of Iranian cinema for religious propaganda from the perspective of those involved” – 2014
- Sakineh Hazareh – “Design of a mobile cinema center in Afghanistan” – 2015
- Ehsan Salemi – “Mapping the reference factors of the Fajr International Film Festival” – 2019